
Role credits, gear tested, outcomes documented.
Every project listed here names the exact role held—camera, sound, or DIT. Not production. The work is specific.








Credits, frames, and outcomes
The Dry Season
Role: Camera Operator / DIT. Lumix S5IIX with Sirui anamorphic glass. On-set LUT management and dailies delivery same day.
Anamorphic flare control dialled in prep—zero correction notes in post.
Meridian Brand Spot
Low Season — Ep. 3–6
Fieldwork — Run-and-Gun
Role: Sound Recordist. Dual Sennheiser G4 lavs plus boom. Gain structure locked before first take—zero drop-outs across two shoot days.
Role: DIT / Camera Op. DaVinci Resolve dailies pipeline, scene-by-scene LUT consistency maintained across four episodes.
Role: Sound Op / Camera. Single-operator hybrid run-and-gun. Rode on-camera plus H6e ISO tracks—clean dialogue in every environment.
What producers say on record
He had the wireless gain mapped and tested before the talent walked on. Not a single audio note in the edit. That's the standard.
DIT and camera op in the same person—dailies were ready before wrap. Colour pipeline was locked from day one, no surprises.
Gear issue mid-shoot—fixed in six minutes, roll continued. He'd pre-diagnosed the connector problem during load-in. That's prep, not luck.
— Sara M., Line Producer
— Raj T., Director of Photography
— Cleo V., Producer
The Dry Season
Camera Operator / DIT. Lumix S5IIX, anamorphic glass, same-day dailies via DaVinci Resolve.
Meridian Brand Spot
Roles held, not implied
Sound Recordist. Dual Sennheiser G4 wireless lavs, Deity boom, Zoom H6e ISO multitrack.
Every line names the specific function—camera, sound, DIT. No blanket production credits.
Low Season — Ep. 3–6
DIT / Camera Operator. LUT consistency pipeline, four-episode dailies delivery, colour notes signed off each day.
Fieldwork
Sound Operator / Camera. Single-operator hybrid. Rode Wireless GO Plus Pro on-camera, H6e ISO backup.